📚 node [[the craft of research]]
-
a [[book]].
- #pull [[research]] [[patterns]]
- [[portuguese]] [[a arte da pesquisa]]
- [[español]] [[cómo convertirse en un hábil investigador]]
- Autorxs: [[Wayne C. Booth]], [[Gregory G. Colomb]], [[Joseph M. Williams]]
- Publicado por: [[[University of Chicago Press]]
- Año de publicación: [[1995]] + reeds.
Chapter 3: From Topics to Questions
Subject:
- a broad area of knowledge
Topic:
- specific interest within an area.
-
specific approach to a subject:
- asking a question, the answer of which would solve a problem that my readers care about
-
How to pick a topic:
- start with what most interests you
- you do not have to be an expert on it, you do want to become one
- make a list of interests that you would like to explore
-
choose one or two by:
- skimming the subheadings of your topic in general guides/reference books/specialized indexes
- look for online/paper encyclopedias or other reputed online references and check out the bibliography at the end of the entry for your general topic
- find ideas in blogs
- find what interests other researchers
- skim latest issues of journals in your field (not just articles but conference announcements, calls for papers, reviews)
- investigate which resources are particularly abundant in your library.
-
How to go from a broad topic to a focused topic
-
a topic: a starting point for your research (topos) from which you can head off in a particular direction and narrow it down from broad to focused
- a topic is too broad if you can state it in four or five words: "Free will in Tolstoy"
-
a topic must be narrowed down by adding words and phrases, specially those deriving from "action" words: "The conflict of free will and inevitability in Tolstoy's description of three battles in War and Peace
- lacking these action words make your topic a static claim, and these do not lead anywhere: "There is free will in Tolstoy's novels".
- adding the "action" words transform these claims into something a reader could be interested in: "The conflict of free will and inevitability in Tolstoy's description of three battles in War and Peace --> In War and Peace Tolstoy describes three battles in which free will and inevitability conflict.
- these claims may seem thin but get richer as your project progresses.
- caution: do not narrow down your topic so much that there is no information available regarding it
-
a topic: a starting point for your research (topos) from which you can head off in a particular direction and narrow it down from broad to focused
-
How to go from a focused topic to questions
- beginners' mistake: to collect any information available on the topic, which could produce a report on the topic, but does not provide an answer to any specific question, which should be the aim of a serious researcher
- Thus, the best way to begin working on your focused topic is to formulate questions that direct you to the information you need to answer them
-
Make an inventory of possible questions:
- start with standard journalistic questions: who, what, when, where
- focus, however, on how and why
-
to engage your critical thinking, ask about:
-
Topic's history:
- how does it fit in a larger developmental context?
- how has its internal history developed?
-
topic's composition
- how does your topic fit in a larger structure?
- how do its parts fit together as a system?
-
Topic's categories
- how can your topic be grouped into kinds
- how does it compare/contrast with others like it?
- Turn positive questions into negative ones
- ask what if and other speculative questions: what if your topic never existed, dissappeared etc.
-
ask questions suggested by your sources (once you have done some reading about the topic):
-
build on agreement
- extend the reach of someone's claim
- ask questions that might support the same claim with new evidence
- ask questions analogous to those that sources have asked about similar topics
- ask questions that show disagreement
- ig you are an experienced researcher, look for questions that others ask but haven't answered yet: conclusions usually contain open questions, new research ideas etc.
-
build on agreement
-
Topic's history:
-
Evaluate questions:
- look for questions that may help you look at your topic in a new way.
-
avoid this kind of questions:
- their answer is settled --> questions with how and why may lead to further thinking on the topic
- their answers would be merely speculative
- their answers are dead ends
- Once you have a few promising questions, try to combine them into larger ones that could be potentially interesting to readers
-
The most significant question: So what?
- Once you have a question you that holds your interest, it must be interrogated in a deeper way
- why would others think your question is worth answering?
- what will be lost if you don't answer your question?
- You may not have an answer to "so what" at the beginning of your project, but you must work on this questions throughout your project
-
3 steps to achieve an answer to the "so what" question:
-
name your topic using nouns derived from verbs:
- say what yoy are writing about
- I am trying to learn about... the causes of the disappearence of large North American mammals...
-
add an indirect question that indicates what you do not know or understand about yout topic
- because I want to find out who/what/when/where/whether/why/how
- here you state why you are pursuing your topic: to answer a question important to you
- I am trying to learn about the causes of the disappearence of large North American mammals because I want to find out whether they were hunted to extinction
-
answer so what? by motivating your questions
- here you find out whether your your questions could interest not just you but others
-
add a second indirect question which explains why you asked your first question:
- in order to help my reader understand how, why or whether...
- I am trying to learn about the causes of the disappearence of large North American mammals because I want to find out whether they were hunted to extinction in order to help my reader understand whether native peoples lived in harmony with nature or helped destroy it.
- this indirect question should seize your reader's interest
- if it touches on issues important to your field, even indirectly, then your readers should care about its answer.
-
name your topic using nouns derived from verbs:
Chapter 4: From Questions to a Problem
⥅ node [[patterns]] pulled by user
patterns
-
a [[list]].
- #push [[map]]
-
#pull [[a pattern language]] [[free, fair and alive]]
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#push [[a pattern language]]
- #1 [[independent regions]]
- #2 [[the distribution of towns]]
- #3 [[city country fingers]]
- #4 [[agricultural valleys]]
- #5 [[lace of country streets]]
- #6 [[country towns]]
- #7 [[the countryside]]
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[[city]]
- #8 [[mosaic of subcultures]]
- [[scattered work]]
- [[magic of the city]]
- #11 [[local transport areas]]
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[[grass roots]]
- #12[[community of 7000]]
- [[subculture boundary]]
- [[identifiable neighborhood]]
- #15 [[neighborhood boundary]]
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[[networks]]
- #16 [[web of public transportation]]
- [[ring roads]]
- [[network of learning]]
- [[web of shopping]]
- #20 [[mini buses]]
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[[policy]]
- #21 [[four story limit]]
- [[nine per cent parking]]
- [[parallel roads]]
- [[sacred sites]]
- [[access to water]]
- [[life cycle]]
- #27 [[men and women]]
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[[local centers]]
- #28 [[eccentric nucleus]]
- [[density rings]]
- [[activity nodes]]
- [[promenade]]
- [[shopping street]]
- [[night life]]
- #34 [[interchange]]
-
[[housing clusters]]
- #35 [[household mix]]
- [[degrees of publicness]]
- [[house cluster]]
- [[row houses]]
- [[housing hill]]
- #40 [[old people everywhere]]
-
[[work community]]
- #41 [[work community]]
- [[industrial ribbon]]
- [[university as a marketplace]]
- [[local town hall]]
- [[necklace of community projects]]
- [[market of many shops]]
- [[health center]]
- [[housing in between]]
-
[[informal networks]]
- #49 [[looped local roads]]
- [[t junctions]]
- [[green streets]]
- [[network of paths and cars]]
- [[main gateways]]
- [[road crossing]]
- [[raised walk]]
- [[bike paths and racks]]
- #57 [[children in the city]]
-
[[public open land]]
- #58 [[carnival]]
- [[quiet backs]]
- [[accessible green]]
- [[small public squares]]
- [[high places]]
- [[dancing in the street]]
- [[pools and streams]]
- [[birth places]]
- #66 holy ground
-
[[local common land]]
- #67 [[common land]]
- [[connected play]]
- [[public outdoor room]]
- [[grave sites]]
- [[still water]]
- [[local sports]]
- [[adventure playground]]
- #74 [[animals]]
-
[[family]]
- #75 [[the family]]
- [[house for a small family]]
- [[house for a couple]]
- [[house for one person]]
- #79 [[your own home]]
- [[workgroups]]
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[[local shops]] and [[gathering places]]
- #87 [[individually owned shops]]
- [[street cafe]]
- [[corner grocery]]
- [[beer hall]]
- [[traveler's inn]]
- #92 [[bus stop]]
- #93 [[food stands]]
- #94 [[sleeping in public]]
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[[buildings]]
-
[[overall arrangement]]
- #95 [[building complex]]
- [[number of stories]]
- [[shielded parking]]
- [[circulation realms]]
- [[main building]]
- [[pedestrian street]]
- [[building thoroughfare]]
- [[family of entrances]]
- #103 [[small parking lots]]
-
[[individual position]]
- #104 [[site repair]]
- [[south facing outdoors]]
- [[positive outdoor space]]
- [[wings of light]]
- [[connected buildings]]
- #109 [[long thin house]]
-
[[yin and yang]]
- #110 [[main entrance]]
- [[half hidden garden]]
- [[entrance transition]]
- [[car connection]]
- [[hierarchy of open space]]
- [[courtyards which live]]
- [[cascade of roofs]]
- [[sheltering roof]]
- #118 [[roof garden]] [[one star]]
-
[[paths and squares]]
- #119 [[arcades]] [[two star]]
- [[paths and goals]]
- [[path shape]]
- [[building fronts]]
- [[pedestrian density]]
- [[activity pockets]]
- [[stair seats]]
- #126 [[something roughly in the middle]]
-
[[gradient]]
- #127 [[intimacy gradient]]
- [[indoor sunlight]]
- [[common areas at the heart]] [[two star]]
- [[entrance room]]
- [[the flow through rooms]]
- [[short passages]]
- [[staircase as a stage]]
- [[zen view]] read
- #135 [[tapestry of light and dark]]
- #wip it goes to 253
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[[overall arrangement]]
- [[filtered light]]
- a term used by [[ward cunningham]] to refer to structure in the solution to a problem.
- #pull [[a pattern language]]
-
#push [[a pattern language]]
Patterns
patterns resemble DNA, a set of instructions that are underspecified so that they can be adapted to local circumstances. "Does the DNA contain a full description of the organism to which it will give rise?" asks [[Christopher Alexander]]
– [[Free, Fair and Alive]]
⥅ node [[research]] pulled by user
Research
- an [[agora action]].
-
a [[list]].
-
[[bridges]]
- [[siphons]]
- [[semantic web]]
-
[[social networks]]
- [[ctzn]]
- [[social web protocols]]
- [[indie web]]
- [[indiekit]]
- [[micro pub]]
- [[ampl]]
- [[category theory]]
- [[public utility]]
- [[protopoi]]
- [[infinity-project]]
- [[unnamed-culture-project]]
-
[[bridges]]
- [[pull]] [[read]].
📖 stoas
- public document at doc.anagora.org/the-craft-of-research
- video call at meet.jit.si/the-craft-of-research
⥱ context
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